Zip, Zap, Boooooogie!!!
dedicated to Val Howells
for Orchestra
Instrumentation
2 (=Picc.).2 (=B.Cl.).2.2 (=Cbsn.) - 2.2.2.1 - 2Perc. Pno. Hp. - Strings: 10.8.6.4.2
Duration
c. 8 Minutes
Programme Note
Zip, Zap, Boooooogie!!! is an exploration of the emotional journey of first encounters and self-discovery within a queer club setting. Initially, there's a palpable sense of anticipation and nervous energy, as if stepping into uncharted territory. This sentiment is echoed in the piece's sparky, anticipatory rhythms, capturing the flutter of excitement mingled with apprehension.
As the piece progresses, a shift occurs, mirroring the transition from fear to confidence. The work evolves into enjoyment and ecstasy, embodying the liberating feeling of being in a space where one can truly be themselves. Yet, amidst the euphoria, there's a moment of introspection, a metaphorical pause to question the implications of newfound connections.
The heart of the piece lies in the emotional interplay between two individuals. Moments of hesitation and doubt are juxtaposed with instances of pure connection. Here, the music's dissonance reflects the internal conflict of feeling forbidden yet undeniably drawn to one another.
In tandem, the dancers embody these emotional states, conveying the nervousness, excitement, and hesitancy of first encounters. Their movements, fluid yet hesitant, mirror the ebb and flow of emotions as they navigate the delicate balance between self-discovery and interpersonal connection.
Recording
Composition Insight
Zip, Zap, Booooogie!!! was written for the London Philharmonic Orchestra and was premiered at the Queen Elizabeth Hall in June 2024. The premiered featured dancers from Trinity Laban who devised new choreography to accompany the music.
Review
Zip, Zap, Boooooogie!!! by Jasper Dommett uses queer nightlife and romance as its inspiration, and it's a super piece of music.
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Dommett's voice feels like that of Leonard Bernstein or James MacMillan; undeniably, intoxicating percussive rhythm. Any choreographer in their right mind would kill for this kind of music to create to, or be part of the creative, compositional process. I'd like to think we'll hear more about Dommett, and sooner rather than later.
~ Broadway World